LTG Repertory’s ‘War Brides’ Resonates with Delhi Audience Amidst Global Tensions
The atmosphere inside the LTG Repertory was electric on the 20th of November evening as the curtains fell on the highly anticipated production of “War Brides”. What began as a theatrical performance ended as a profound social dialogue, leaving the audience in a state of contemplative silence before erupting into applause. Written by Marion Craig Wentworth, the [...]

The atmosphere inside the LTG Repertory was electric on the 20th of November evening as the curtains fell on the highly anticipated production of “War Brides”. What began as a theatrical performance ended as a profound social dialogue, leaving the audience in a state of contemplative silence before erupting into applause.
Written by Marion Craig Wentworth, the play has long been regarded as a classic text, but this new adaptation, directed by Vipin Kumar, injected it with a startling contemporary urgency. By transforming the script into a musical play, the production team managed to bridge the gap between the historical context of the original text and the volatile geopolitical landscape of 2025.
The production did not shy away from difficult conversations. Director Vipin Kumar was clear about the intent behind the staging. In a post-show statement, he emphasised that this was not merely entertainment, but a necessary reflection on reality.
“Through this play, we aim to comment on the current state of geopolitics, particularly in the context of ongoing conflicts around the world,” Kumar stated. He drew specific parallels to the tensions between major global powers like America and Russia, noting, “We are not just telling a story; we are reflecting on the current state of the world. We hope that our play will inspire audiences to think critically about the world around them.”
One of the most striking elements of the evening was the integration of music into the dramatic narrative. With a score composed by Rahul and lyrics penned by Harsh, the play utilised melody to underscore the tragedy of the narrative. The musical numbers were not interruptions but rather extensions of the characters’ emotional states, ranging from melancholic ballads to powerful ensemble pieces that challenged the status quo.
The play’s visual language employed hard-hitting images to portray the devastating impact of war on civilians, with a specific focus on the exploitation of women in war-torn lands. Assistant Director Shikha Malhotra played a pivotal role in shaping these performances. Speaking on the production, she noted the immense challenge of connecting young performers to such heavy material.
“Connecting young performers with a story of such depth couldn’t happen by simply handing them a script,” Malhotra explained. “It required daily process work, exploring different techniques, and building emotional truth together.”
As the audience exited the venue, the consensus was clear: “War Brides” is a production that questions the necessity of war and champions the resilience of women, making it one of the most relevant cultural events of the season.
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